English
Editing one photo session without inventing a story that did not happen
A six-frame exercise separates capture order, reading order and factual claims, then resolves two honest edits with different openings.
FANATIA ยท EDITORIAL
Sequence and visual narrative
Guides and reading notes on Sequence and visual narrative.
5 articles
English
Why the final edit leaves good photographs outside the sequence
A nine-frame fictional contact sheet resolves a five-frame edit by identifying missing functions, redundant alternatives and a striking image that opens another subject.
English
Read the artist note twice: once for context and once for what it does not prove
Compares a fictional statement with five described frames and separates production facts, artistic aims and claims unsupported by the note.
English
Write a caption that adds context without assigning the viewer an emotion
Rewrites four fictional captions and develops a three-field caption method for image identity, documented context and clearly attributed interpretation.
English
Three frames or thirty: ask what each transition adds
Compares two fictional edits of a paper-folding study and shows when a repeated frame adds a distinct reading rather than treating fewer images as automatically better.